Wednesday, 17 March 2010
星期日去拜山。
寶福山的人比先達的還多。
我：應該起多Ｄ骨灰龕啦，幾鬼死人逼先得架
父：係啦，政府起多Ｄ啦
我：你估政府唔想起咩，話起係邊，邊度就反對啦
父：咁個個都唔中意呢Ｄ野起附近丫嘛
我：唔中意？死都有得唔中意架咩？佢本人唔使死既？佢老豆老母唔使死既？
父：車，你死，你咪死遠Ｄ囉
我：… … … …
母：我死左你拋我落海好喇，或者樹下呀，泥土咁啦，我中意見下大自然呀，你唔好困住我呀
我：… … … …
母：其實應該每區都起啦，公平丫嘛又方便
我：嘩你做政府就唔使做好耐，你就好啦，我呢Ｄ要做成世架
母：政府太弱勢喇
我：唔得架，唔會通過架，一定係呢區推果區，果區又推返呢區
母：人就係要死架啦，講道理架姐
我：嘩，你講道理定你講笑呀
我地全家人都唔明，死係人出生既命運，係要架死啦，燒左，就有骨灰啦，咁要搵地方擺，點解要嫌棄呢。同埋，全家人，把口唔收，熱愛自由，死左都驚俾人困住。
(by PaigeSteplewski)
In order to arrive at a personal style, you have to have a technique to begin with. In other words, when I say that style is a special case of technique, you have to have the technique — you have to have a place to make the choices from. If you don’t have a basis on which to make the choice, then you don’t have a style at all. You have a series of accidents.“You practice and you get better. It’s very simple,” iconic composer Philip Glass famously said. A new NPR interview by his cousin,This American Life’s Ira Glass, gleans deeper insight into the philosophy and creative process of the modern genius. (via curiositycounts)
.People.People.People.
pinterest.comMarilyn with Nikon.
Pablo Picasso.
1 repin
Baudelaire, 1863 by Étienne Carjat.
Charlie Chaplin & Albert Einstein.
2 repins
Jodie Foster.
3 repins
Albert Einstein.
1 repin
Mick Jagger.
1 repin
John Lennon & Julian…
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No. 1 — March 19th, 2010 at 1:08 pm
我老豆成日都係咁同我講, 佢係街死左唔駛認返佢, 咁可以唔駛麻煩…
我會應佢死係街阻街呀…
No. 2 — March 25th, 2010 at 8:07 pm
對死無忌諱才能夠真實活著呀。