迷人
Friday, 28 May 2010
一直喜歡足球員的球衣。即使那麼激烈的運動,他們永遠穿著那沿著頸和肩之間的密實圓領球衣,及膝的長襪,尖長貼腳的波boot。看著他們在草地上奔跑,在敵友之間轉身穿越,以至整體的走位佈局,時間和空間的交錯變幻﹣﹣他們實在叫人瘋狂。對我來說,一場足球,一個milonga,叫人沉迷的地方是一樣的。
是把身體放在一個空地上跟另一個人用自己的身體玩遊戲。
是那一種暴烈又優雅的、叫人要失控卻要完全自控的美感和力量。
Friday, 28 May 2010
一直喜歡足球員的球衣。即使那麼激烈的運動,他們永遠穿著那沿著頸和肩之間的密實圓領球衣,及膝的長襪,尖長貼腳的波boot。看著他們在草地上奔跑,在敵友之間轉身穿越,以至整體的走位佈局,時間和空間的交錯變幻﹣﹣他們實在叫人瘋狂。對我來說,一場足球,一個milonga,叫人沉迷的地方是一樣的。
是把身體放在一個空地上跟另一個人用自己的身體玩遊戲。
是那一種暴烈又優雅的、叫人要失控卻要完全自控的美感和力量。
Tags: Tango
The entry '迷人' was posted on May 28th, 2010 at 12:13 am and is filed under Play. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

(by PaigeSteplewski)
In order to arrive at a personal style, you have to have a technique to begin with. In other words, when I say that style is a special case of technique, you have to have the technique — you have to have a place to make the choices from. If you don’t have a basis on which to make the choice, then you don’t have a style at all. You have a series of accidents.“You practice and you get better. It’s very simple,” iconic composer Philip Glass famously said. A new NPR interview by his cousin,This American Life’s Ira Glass, gleans deeper insight into the philosophy and creative process of the modern genius. (via curiositycounts)

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