Tuesday, 10 June 2008
後來總是沒有後來。好像，寫什麼什麼（一）的當時，心裡想著有其二其三。後來一直無法回想到第一下的心情，幸好那些開始就這樣打開著，只有我一個人察覺，故事並無延續下走。那年去吳哥，走在路上，太陽灑下，城市的沒落，長了莊嚴的樹，遊人拍照，我也拍，只是心不在，抑鬱著我這生大概不會再來這個地方。觸目都是離別，相看是再見，而不再見。年幼時是以為什麼都有下一次，以為人生百年，走多了一段路又覺得不是沒有下一次，只是己心已遺落別處，是不想再為什麼重新振作。中國人有一句詛咒人的話，下世啦你，如今聽罷始知是真的傷人心的話。對誰對什麼地方什麼事輕撫著說我們來生再會，就是決定把情懷封存，或者下一次，即是下一世，你我不再錯過彼此。
(by PaigeSteplewski)
In order to arrive at a personal style, you have to have a technique to begin with. In other words, when I say that style is a special case of technique, you have to have the technique — you have to have a place to make the choices from. If you don’t have a basis on which to make the choice, then you don’t have a style at all. You have a series of accidents.“You practice and you get better. It’s very simple,” iconic composer Philip Glass famously said. A new NPR interview by his cousin,This American Life’s Ira Glass, gleans deeper insight into the philosophy and creative process of the modern genius. (via curiositycounts)
.People.People.People.
pinterest.comMarilyn with Nikon.
Pablo Picasso.
1 repin
Baudelaire, 1863 by Étienne Carjat.
Charlie Chaplin & Albert Einstein.
2 repins
Jodie Foster.
3 repins
Albert Einstein.
1 repin
Mick Jagger.
1 repin
John Lennon & Julian…
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No. 1 — June 11th, 2008 at 1:06 am
[...] 我都唔知點講好，以上全屬猜測，除左原來佢好似好了解我和把我的事情放在心上外。(咁仲唔係當我係女??!!) 不過看到看不開的「無其後」，我更加要確定我們的關係到底是父女母女朋友還是什麼都不是，好一句「你我不再錯過彼此」。 [...]
No. 2 — June 12th, 2008 at 12:19 am
剛前兩天躺在床上終於不禁想, 開一個file, 叫”我們下世(紀)再玩過”。由cant bear the thought of “我們”/”下世(紀)”/”再”/”玩過” 到can bear, 不是時間啊。