沒有哲學

Saturday, 9 August 2008

腳踏實地。
不要看著別人。
不要盯著對方。不要看鏡裡的自己。
凝視，那兩人之間尋常的距離。
開始是擁抱，終結是擁抱，中間都是擁抱。
擁抱而不呆在原地。擁抱而可進退。
兩個人之外還有自然，音樂，天籟。
不若即若離，兩人在恆常的距離做回自己。
心向著對方，心貼著對方。
單純，沒有動機。
不去猜度。不去試探。
不要恐懼，給予信任，以及想像如何給予更多信任。（是信任令人站得更高更穩，是信任令兩個人前進。）
令對方感到親切，舒適，放鬆。
戒掉令對方有相反印象或反應的小動作。那些我們自己很舒適感覺安全但對方不明所以的小動作。
以整個身體去實現以上意念，讓別人感到意會到觸及到。

同學說我跳舞有哲學，我說，跳舞之後，我跳舞，不搞哲學。
人之常情是，對一個人有心，應該大致有以上的傾向。在現實生活，這種傾向當然有時叫人力不從心。

The entry '沒有哲學' was posted on August 9th, 2008 at 2:09 am and is filed under Relationships. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

serial time killer

In order to arrive at a personal style, you have to have a technique to begin with. In other words, when I say that style is a special case of technique, you have to have the technique — you have to have a place to make the choices from. If you don’t have a basis on which to make the choice, then you don’t have a style at all. You have a series of accidents.

“You practice and you get better. It’s very simple,” iconic composer Philip Glass famously said. A new NPR interview by his cousin,This American Life’s Ira Glass, gleans deeper insight into the philosophy and creative process of the modern genius. (via curiositycounts)

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pinterest.com

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