你要是愛薔薇，哪怕薔薇刺多

Saturday, 27 September 2008

如果我不老來一件事，原因不外，缺乏美感。譬如，神七，譬如迷債。神七係神州七號，迷債係迷你債券。殘奧唔好提把啦拜托。那時他們說職安健，我便覺得很不安。不是講究，只是完全沒有了語感。

語感是在天台，陽光下，把手洗的純白棉衣，掛在彩衣的衣裳竹上，黃昏收下來，穿上胸圍，穿上Pleasure，穿上棉衣，是陽光在衣服上面我在衣服裡面香水在我髮膚和胸罩之間的氣味，如一杯Bellini。語感是燒野食燒雞翼燒到差不多最後塗上蜜糖再放在火裡惹火綻放香味。語感是我的肚泵貼著你的肚腩。語感是穿白裇衫而不扣最高兩顆扭。語感是不能節省。語感是內容本身，好像細節是事情本身。不要複離化，但花紋也不能抹平。如果沒有語感，我們的說話剩下是什麼功能，或只有功能嗎，文明的疲憊，不過於此。

The entry '你要是愛薔薇，哪怕薔薇刺多' was posted on September 27th, 2008 at 1:54 am and is filed under City. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

serial time killer

In order to arrive at a personal style, you have to have a technique to begin with. In other words, when I say that style is a special case of technique, you have to have the technique — you have to have a place to make the choices from. If you don’t have a basis on which to make the choice, then you don’t have a style at all. You have a series of accidents.

“You practice and you get better. It’s very simple,” iconic composer Philip Glass famously said. A new NPR interview by his cousin,This American Life’s Ira Glass, gleans deeper insight into the philosophy and creative process of the modern genius. (via curiositycounts)

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