只怕萬一

Monday, 27 October 2008

起落，得失，觀看著大家的反應，止血吧，填充吧，補救吧，就是沒有一個由它去吧。
我們都那麼熱中掌握一件事。
把它握在掌中。它掉下來時其實是想怎樣把它撈起來，再握在掌中。
我終於懂得地心吸力有它的美。特別是當所有人都要逆著地心吸力而上。

掌握其實是攤開手，才再合埋手。
我重複著這個動作，要去看透，所說的「掌握」，本質上，最初的是什麼意義。
就是攤開，合攏。合攏的前設是張開。
掌握是一個結果，而張開是過程。

張開不是一個追求。
自然的存在，就是張開。

於是不再那麼恨怨，不再心裡滿滿憂愁，不張狂。因為我面對住一整個恨怨，滿滿憂愁，張狂的群體，我是他們一部份，而我想我們都有新生，不再那麼恨怨，不再心裡滿滿憂愁，不張狂。

The entry '只怕萬一' was posted on October 27th, 2008 at 11:46 pm and is filed under Identity. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

serial time killer

bolmi:

(by PaigeSteplewski)

02/06/12

In order to arrive at a personal style, you have to have a technique to begin with. In other words, when I say that style is a special case of technique, you have to have the technique — you have to have a place to make the choices from. If you don’t have a basis on which to make the choice, then you don’t have a style at all. You have a series of accidents.

“You practice and you get better. It’s very simple,” iconic composer Philip Glass famously said. A new NPR interview by his cousin,This American Life’s Ira Glass, gleans deeper insight into the philosophy and creative process of the modern genius. (via curiositycounts)

02/03/12

.People.People.People.
pinterest.com

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