什麼時候才活得耐煩,不在乎那身外的人事。 自作聰明,要比人走快兩步,目能斜視。 多看兩眼,多說兩句,多念兩秒。 是那些風光,是那些大話,是那些遊客。 到頭來,境地只是夠力氣攤開自己,不認不認還需認,看不開。
Wednesday, 30 July 2008
什麼時候才活得耐煩,不在乎那身外的人事。 自作聰明,要比人走快兩步,目能斜視。 多看兩眼,多說兩句,多念兩秒。 是那些風光,是那些大話,是那些遊客。 到頭來,境地只是夠力氣攤開自己,不認不認還需認,看不開。
Posted in Identity | No Comments »
Please let him come, and give me the resilience & guts to make him respect me, be interested, and not to throw myself at him with loudness or hysterical yelling; calmly, gently, easy baby easy. He is probably strutting the backs among crocuses now with seven Scandinavian mistresses. And I sit, spiderlike, waiting, here, home; Penelope weaving webs of Webster, turning spindles of Tourneur. Oh, he is here; my black marauder; oh hungry hungry. I am so hungry for a big smashing creative burgeoning burdened love: I am here; I wait; and he plays on the banks of the river Cam like a casual faun.Sylvia Plath (via pkam)

(by PaigeSteplewski)
In order to arrive at a personal style, you have to have a technique to begin with. In other words, when I say that style is a special case of technique, you have to have the technique — you have to have a place to make the choices from. If you don’t have a basis on which to make the choice, then you don’t have a style at all. You have a series of accidents.“You practice and you get better. It’s very simple,” iconic composer Philip Glass famously said. A new NPR interview by his cousin,This American Life’s Ira Glass, gleans deeper insight into the philosophy and creative process of the modern genius. (via curiositycounts)
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