In the art of dance, the body struggles against the invisible mist that envelops it and tries to bring to light the dominant profile demanded by the architecture of the music. Ardent struggle, endless vigil, like all art. While the poet wrestles with the horses in his brain and the sculptor wounds his eyes on the hard spark of alabaster, the dancer battles the air around her, air that threatens at any moment to destroy her harmony or to open huge empty spaces where her rhythm will be annihilated.
The dancer’s trembling heart must bring everything into harmony, from the tips of her shoes to the flutter of her eyelashes, from the ruffles of her dress to the incessant play of her fingers. Shipwrecked in a field of air, she must measure lines, silences, zigzags, and rapid curves, with a sixth sense of aroma and geometry, without ever mistaking her terrain.
— Lorca, In Praise of Antonia Mercé, La Argentina (In Search of Duende)